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Born 1949 in New Haven, Connecticut. Lives in New York City. Working since the late 1970s, Dunham’s career reached critical renown in the 1980s, a period during which many artists returned to painting. He is known for his conceptual approach to painting and drawing and his interest in exploring the relationship between abstraction and figuration.
Dunham has been the subject of numerous one-person exhibitions, including a mid-career retrospective at the New Museum in New York and an exhibition of paintings and sculptures at Millesgården in Stockholm. His work has been included in several Whitney Biennials and in “Disparaties and Deformations: Our Grotesque,” SITE Santa Fe’s fifth biennial curated by Robert Storr. He has participated in exhibitions at major institutions such as the Museum of Modern Art, New York; Musée d’Art Moderne de la Ville de Paris, Paris; and the Museo Nacional Centro de Arte Reina Sofía, Madrid.
His work is included in a number of public collections, including, amongst others, the Art Institute of Chicago, Chicago; Astrup Fearnley Museum of Modern Art, Oslo; Brooklyn Museum, New York; Museum Ludwig, Cologne; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Philadelphia Museum of Art, Philadelphia; Tate Gallery, London; Walker Art Center, Minneapolis; and Whitney Museum of Art, New York.
Born 1949 in New Haven, Connecticut. Lives in New York City. Working since the late 1970s, Dunham’s career reached critical renown in the 1980s, a period during which many artists returned to painting. He is known for his conceptual approach to painting and drawing and his interest in exploring the relationship between abstraction and figuration.
Dunham has been the subject of numerous one-person exhibitions, including a mid-career retrospective at the New Museum in New York and an exhibition of paintings and sculptures at Millesgården in Stockholm. His work has been included in several Whitney Biennials and in “Disparaties and Deformations: Our Grotesque,” SITE Santa Fe’s fifth biennial curated by Robert Storr. He has participated in exhibitions at major institutions such as the Museum of Modern Art, New York; Musée d’Art Moderne de la Ville de Paris, Paris; and the Museo Nacional Centro de Arte Reina Sofía, Madrid.
His work is included in a number of public collections, including, amongst others, the Art Institute of Chicago, Chicago; Astrup Fearnley Museum of Modern Art, Oslo; Brooklyn Museum, New York; Museum Ludwig, Cologne; Museum of Modern Art, New York; Museum of Contemporary Art, Los Angeles; Philadelphia Museum of Art, Philadelphia; Tate Gallery, London; Walker Art Center, Minneapolis; and Whitney Museum of Art, New York.
Atmospherics, 2001 – 2002
Portfolio of 8 etchings with aquatint, spitbite, sugarlift, softground, drypoint and open bite on Ruscombe Mill Queen Anne bible yellow paper. Plate size: 6h x 8w in. Paper size: 13h x 15w in. Edition of 21. Out of Print. Printed by Gregory Burnet.